Hegel is considered the father of History in some circles, or the father of Historicism. By History, rather than history, scholars and philosophers refer to History as Historicism – the notion that History is unfolding in its particular epoch toward an ultimate goal. History has a telos, it is moved by dialectical advance to its end, and the purpose of History is to “be on the right side of history,” which is to say to be on the “winning side of history.” In fact, much of our contemporary language of “being on the right side of history” or “being on the winning side of history” are rooted in a perversion of Hegel’s historicism. This is called philosophy of history, and it is distinguished from (normal) “history,” which is merely the study and memorization about what happened in the past. For Hegel, the study of history is inferior to the knowledge of History. This former is called reflective history, and the latter is called philosophical history.
Originally a combination of lectures, Hegel’s most visible commentary in his Lectures on the Philosophy of History, and they are mandatory reading in philosophy studies or anyone working with Hegel. Hegel is largely impenetrable, for his use of language is revolutionary which makes it difficult to understand. He uses different words for the same concept – but Hegel is making no mistake of language or embracing sophistry in doing so, we must remember his dialectic of sublation that guides much of his systematic philosophy. The old is gone and has been replaced by the new. The same goes for his use of language.
THE AGE OF HEROES & ORIENT
History, according to Hegel, has three defined epochs: the Age of the Orient, the Age of the Greeks, and the Age of Reason (he calls this the “German world” in his work). Hegel’s understanding of History unfolds through two primary means: organic succession and violent sublation (or revolution) which lead to greater recognition of humans as humans through consciousness. History is a struggle of the advancement of the Absolute Idea through time, and the Geist (Spirit) that moves this advancement and calls humans to be in accord with it produces this struggle in concrete life. Although an idealist, Hegel is a concrete idealist – the Absolute Idea must always be made concrete in the world. While he has Neoplatonic influences riddled throughout his work, Hegel disagrees with the Platonic and Plotinian conception of the thinking mind being fully alive insofar that the thinking mind is fully alive only when it becomes actualized and active in the world – living and embodying what it knows – this is the famous Hegelian dictum “only the rational is real.” To think is a reflection of living, but it is not the height of living, rather, only that thinking mind that has come to understand the Absolute Idea is the full living person. In this way, the Absolute Idea that calls us is made concrete in the world through human action, either that organic succession or through violent sublation of the old idea crumbling and giving way to the new. Thus, mere thinking is not the highest expression of living. Understanding as actualization from thinking is. One must understand in order to be “fully alive.” (And we all know Hegel thought that he was one who was “fully alive.”)
The most basic way to understand Hegel’s conception of History is that it is the march of liberty through time due to the triumph of reason to spirit; Vernuft to Geist. Of course, this will require us to ultimately know what Hegel means by liberty and reason – since he does not conceptualize either in the manner that liberal theorists understand both terms. In earlier times, only some were free. Today, all should be free. Thus History is the dialectic struggle of liberty which Hegel associates with the rise and triumph of universal consciousness – or rationality and connectedness to one’s inheritance. (Here, Hegel disagrees with the likes of Locke and Rousseau who assert that man is free in his very beginning in the state of nature; man is not free, but man is becoming free over time.) This is a natural and organic process that is pushed forward most excitingly during the collapse of the old order into the new order (aufehebung) which unleashes the storm of revolution. Ultimately Hegel thinks this march of liberty and reason is both restorative, and we’ll get to that at the end of this series on his thoughts concerning the nature of history, and progressive. It will culminate in the constitutional State but Hegel believes that the consummation of law and State in History is liberty and reason, for the State, and its laws, will embody what his precursor and spiritual father, Johann Gottfried von Herder, called the volksgeist (or “people’s spirit”). This will consummate itself in what Ferdinand Tönnies later called the Gemeinschaft (“community”), and what fascists later called Volksgemeinschaft (“people’s community”). To say Hegel was a national populist, although anachronistic, would be accurate enough in some sense.
But if we recall the dialectic of Positive-Negative-Synthetic (Thesis-Antithesis-Synthesis), does History follow this threefold path? Yes and no. Everything follows this dialectic. But the most common mistake people make who have never actually read Hegel, rather having read Hegel as you are doing now, online, is to the think that it merely follows this exhaustion into synthetic and then, in the emergence of the synthetic, the new age or epoch begins. This is the case with Marx but not the case with Hegel. This is why this first introduction to his history is just about the Age of the Orient, although it was necessary to briefly explain some things about Hegel himself before we could begin.
The Age of the Orient is characterized not necessarily by tyranny, as much as it is characterized by the World Spirit being embodied only by one person. Hegel begins his History of the Oriental epoch by explaining the dialectical progression to the State. The movement from the “World Historical Men” of individual hero, to the rise of empire, kingship, and so forth (Hegel sees four archetypes of men: the hero, the person, the citizen, and the victim – we will visit these four archetypes in a later post). As Hegel himself writes, “It is the absolute interest of Reason that this moral Whole should exist; and herein lie the justification and merit of heroes who have founded states — however rude these may have been.” The hero is the father of the State, the founder of a society. The hero is memorialized by his society and State, for his is actions, and ultimately the hero produces the successor to him which ends the dialectic of the hero and begins the dialectic of emperors. The emperor, as a descendent of the hero, propagandizes the hero as being an offspring of divinity which set him apart from the rest of his community, and by the emperor claiming lineage through this child of divinity, he also sets himself apart from the community he rules over. This is the rule of one which characterizes the Age of the Orient, only one is free (the descendent of the hero who had the world-historical spirit embodied in his ideals and actions).
In some sense, the Heroic Age is “Original History.” In fact, we might actually better understand the primordial Age of the Hero as what Hegel sees History as moving back toward but also away from simultaneously. This is because, “Such individuals [the heroes] had no consciousness of the general Idea they were unfolding, while prosecuting those aims of theirs; on the contrary, they were practical, political men. But at the same time they were thinking men.” The hero had no consciousness or understanding of the Absolute Spirit, even though they were also thinking men, which Hegel associates with necessity. Insofar that the hero was unaware he was in accord with the Dialectic, there was no History in the sense of philosophical history – no understanding or knowledge of History. This was the historical epoch of the pure Spirit, Spirit moving forces to do its bidding without the World-Historical forces knowing what they were doing in the fullest sense. By contrast, the emperors and kings of the Age of the Orient are the first to have this awareness and understanding, as do their opponents.
Hegel notes that the age of the hero is characterized by tireless labor. It is place that was “no happy place.” They sought fulfillment of their own inner desire to be free but were unable to actually be free because they didn’t understand the nature of freedom even if they were advancing it.
The Age of the Hero is characterized by the thesis: struggle for life (freedom); which is challenged by the antithesis: death (the end of freedom), and the tug-of-war between this struggle ends two ways, the lesser succumb to death, while those who were imbued and moved by the World Spirit overcome death, and achieve, temporarily, life. The synthesis is the embodiment of life (freedom) in the person of the hero, who in his death, passes on the embodiment of life to his successor or heir. The struggle for life which ends in the embodiment of life is the groundwork for the origin of State and society. Which is to say it marks the earliest embodiment of freedom, because primordial freedom is life – however laborious, tiresome, and ripe with struggle it is. This dialectic is necessary for Hegel because all advancement and coming to know oneself, and the world, comes in dialectic. For instance, one would not know beauty without ugly. One would not know light without darkness. And so on and so forth. He who struggles to understand the dialectic is he who gains knowledge. The hero does not struggle to understand, he is simply a vessel of the world spirit, but those who come later reflect on him and understand the hero’s actions to have been necessary and therefore praiseworthy because without him, we would all be dead (we recognize the need of the hero in order to have life).
The hero is worthy of praise and honor because were almost all failed, the individual hero succeeded. And this becomes key for understanding Hegel’s restorative yet progressive outlook on History. The hero fought for his own life for he had no knowledge of the World Spirit that would have directed him to fight for the life of others. But in securing life for himself, and then embodying life at the end of the struggle between want for life and staving off death, the hero unintentionally – for he “had no consciousness of the general Idea they were unfolding” – succeeded in really fighting for the freedom of his people, and securing the freedom of his people, which is the life of his people. The irony, for Hegel, is that the people know this before the hero does, this is why the people’s spirit (volksgeist) is such an important topic and theme in Hegel (even if he borrowed it from Herder). In this paradoxical sense, the Age of the Hero was the age of absolute (unconscious) freedom (the triumph of life over death – the heroic struggle that overcome the conflict and ended, unknowingly, in the security of life and liberty for the masses). The masses sound the trump of fame and worship to this hero (but this is where they equally went wrong – for it was not the hero but the Absolute Idea that should have been the directed source of their gladness and appreciation).
All of this is the backdrop to the proper Age of the Orient, the rule of one, who claims lineage from the original hero. In claiming lineage from the hero, the Oriental ruler is participating in reflective history. The ruler shows signs of awareness about History and understands that the fruits he enjoys today were the result of that struggle long ago. While the hero never had time for rest and leisure, the god-emperor does because he inherited the new synthesis established by the hero. From time to time, the hand of Fate reaches out and lifts up “great men” (heroes) to do the bidding of the World Historical Spirit. The hero is the pure embodiment of Spirit though he does not know he is in alignment with the World Spirit.
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This returns us to what I said before about how the dialectic progress in the Age of the Orient doesn’t have a single shot to the Age of the Greeks, or the Age of Aristocracy. Hegel understands the dialectic as going through multiple cycles in each age before exhausting into the next. For instance, the Age of Orient which begins with the god-emperor suffers conflict. The people argue that the hero whom the god-emperor claims lineage from “fought for them” and was “one of us.” The hero becomes a man of the people, and in doing so, loses his status of quasi divinity which was placed onto him by his original worshippers, and advanced by the god-emperor successors. This produces conflict. The new synthesis has become the thesis, which is challenged by the antithesis which arises from the people. This exhausts itself in the god-emperor no longer being divine, but an intercessor and protector of the people. The emperor still has lineage to the hero, which makes him special, but he is no longer seen as a god, and neither is the hero who gave rise to his claim to the establishment. This is the advancement of rationalization in society. Which, in another way, is an advancement of “secularization” since the god-emperor is no longer a god and neither is the hero founder. Now, the emperor still occupies the top spot in society, and the hero is still revered and worshipped, in a sense, but the god-emperor is no longer “in it for himself.” Instead, the god-emperor’s descent into just emperor, also entails that the emperor is the protector of the people and fights the people – just as the hero unintentionally did back in Original History.
So the Age of the Orient moves from god-emperor to emperor, which reflects growing rationalization. The people are content, for the time being, until the people once again realize their power. They achieved gradual change through organic processes to move from divine imperium to secular imperium. They will do so again, the re-engagement of the dialectic begins. This time, the people seek intercessors to the emperor rather than the emperor also being intercessor to the people. This marks the conflict toward the establishment of legal systems, courts, rule of law, and advisors. The emperor is still supreme, and he is not so much “checked” by these new establishments, instead, law, courts, and advisors, in the Oriental Age, embody the freedom of the emperor. The emperor, in essence, delegates his power and freedom to law, courts, and advisors.
This is the primordial beginning of something like a constitution and a constitutional monarchy. Imperium, then, eventually sublates into a monarchy. The empire is divided into kingdoms to make the management of the establishment, which is the management of freedom, better. The rule of one is still present, but it has been codified and regionalized. As Hegel writes, “Kings have a class of ministers through whom they command elemental changes, and every place possesses such magicians, who perform special ceremonies, with all sorts of gesticulations, dances, uproar, and shouting, and in the midst of this confusion commence their incantations.” The ministers, laws, and advisors all answer to the king, but their position in the new society is also one that reflects a greater movement toward the power of the people – but we should see, the power of the people is not in their hands, it becomes embodied in externality: the hero, the god-emperor, the emperor, the king, the constitution, the courts of law, etc.
Eventually this dialectic of the Absolute Spirit of greater rationalization toward liberty continues and continues, until, at long last, the Age of the Orient characterized by the rule of one, is destroyed and becomes the rule of some (the Age of Aristocracy, which Hegel associated with the Greeks and Romans). Now, some societies don’t make it to this transition. They either fall to a new breed of hero to orient, which shows that such a society did not have consciousness of the World Spirit, or they collapse from within because they have misunderstood the nature of freedom as being one of leisure and pleasure, rather than struggle and fortitude.
In any case, Hegel sees the Age of the Orient as the rule of one – freedom embodied in the single ruler. This slowly moves toward the freedom of some, or the rule of several (the Age of Aristocracy). But the Age of Orient is not, as most would think, a simple dialectic of thesis-antithesis-synthesis (one ruler, multiple rulers, survivors become the some rulers). Instead, it embodies multiple dialectical cycles that slowly move toward the rule of some: hero to god-emperor, god-emperor to emperor, emperor to king, king to embodied kingship, embodied kingship to the sublation into the Age of Aristocracy. The dialectic goes through many cycles in this Age of Orient, and each cycle is a slow advance away from the rule of one toward the rule of some (which finally consummates the Age of Aristocracy).
THE ROLE OF RELIGION & CULTURE IN HISTORY
Continuing with Hegel’s philosophy of history we will move into one of the most important, but often neglected, aspects of Hegel’s philosophy: the role of religion as the source of society and culture. Throughout his works, Hegel comments on religion, the power of religion, and the role of religion in society and shaping national character and spirit. Religion, itself, is part of the world-historical process and embodies the Absolute Idea. But if the Absolute Idea is universal, and Hegel was a cultural particularist, how did Hegel get around this seeming contradiction? The answer is religion.
Much like how Herder was an important influence on Hegel’s historical people’s spirit, so too was Herder an influence upon Hegel’s understanding of cultural relativism and what are the forces that cause cultural relativism. By cultural relativism we do not mean epistemological relativism. A better term is cultural particularism, and so that is what I will use to describe Herder to Hegel’s cultural relativism, which is really a form of particularity. Every culture will be different from each other due to circumstances that influenced it – each culture, however, will reflect the universal idea in its particularity.
According to Herder, religion is the root of life in all culture. Religion is the root of life because it promotes an outlook of life and heroic struggle. Long before philosophy, science, ethics, or any other intellectual disciplines emerged in society, religion was the first systematic intellectual practice that was captured by the World Spirit and implanted itself in society. Religion, rich in ritual and practice, nevertheless was an interpretive movement – at its heart, and this is critical, religion is an interpretive endeavor. Religion’s primary importance is intellectual, rather than practical or practiced from Hegel and Herder’s perspective.
All religions, however, are different. Religions are shaped by geographical realism, societal difference (settled vs. nomadic), a society’s wealth (rich vs. poor), and the historical consciousness of a people’s experience (war-like and conflictual, or leisurely and pleasurable). Religion also provided the first sense of communal belonging.
Furthermore, as Herder saw religion as embodying the ethos of struggle, so too did Hegel see the religious hero as the archetypal hero. The oldest heroes always tended to be great religious leaders, prophets, or founders, shamans, and so forth. While Hegel was writing prior to the discovery of the Epic of Gilgamesh, one sees the residue of Moses as hero in Hegel’s understanding of the hero as religious struggler and father as also being the father of a civilization and the pre-founder of the State. In Lectures on the Philosophy of History and Elements of the Philosophy of Right, Hegel notes that the hero is the one who founds – somewhat unknowingly though being guided by the World Spirit – the state and civilization. Thus, we see, ever more clearly, the role of the religious hero as the father of civilization. Religions are ripe with heroes: prophets, saints, martyrs, warriors, patriarchs, matriarchs, princes, princesses, kings and queens, etc.
Religion is also the root of all culture because, in Latin, cultus, meant care or praise or worship. Cult simply means “to care” and “to praise.” Religion, seeing that it not only embraces some notion of heroic struggle, against sin, against death, or to save others (e.g. filial piety as reflected in Aeneas saving his aging father in The Aeneid). Since cult is the basis of care – like the caretaker who concerns himself with the planted seed of life in the ground – culture springs from cult (or religion). Think about all the great works of poetry, music, artwork, sculptures, etc. and their religious inheritance, themes, or outlooks. It gives the people something to praise. It unites people in love and care and praise of something: beauty, struggle, victory, etc.
Hegel follows Herder in this respect then. Now, some scholars assert the interest in religion as the source of difference can be explained by history. Germany was first home to Arian Christianity, adopting Chalcedonian Christianity much later than the Roman Empire, and the Roman Empire’s most important successor kingdom: France (which is often remembered fondly in Roman Catholicism as the first sacred daughter of the Church, and some say the root of Franco-German animosity). Then Germany was home to the Cult of the Holy Spirit movements of Catholic mysticism of the Middle Ages (think of Meister Eckhart). Then Germany was the center of the Protestant Reformation after Martin Luther posted his 95 Theses to the door of the Wittenberg Cathedral. Irrespective of this attempt to historically explain the role of religion as difference in German Romanticism, the fact remains that German Romanticism was adamant in its place of religion as the source of life and culture, identity, and ultimately the volksgeist and eventually nationalism.
For Hegel, religion as the root of culture and life is that religion was first intellectual force to begin to understand the relationship between the ideal and the concrete, and was the first force to begin the dialectical movement toward the Absolute Idea while also preaching that others embrace the absolute and manifest it in their lives as persons and, consequentially, manifested in their society. This is why religion is a part of Hegel’s unitive composite final spirit at the End of History. Religion took abstract ideals and made them concrete in their practicing manifestations in life.
The idea of beauty captured in art and architecture and music. The idea of struggle (the dialectic itself) in overcoming sin (specifically looking at Christianity) and how that is manifested in daily living and practices of confession and charity. The idea of honoring ancestors being bound in praise of the eternal father, but also the praise and honor of martyrs and saints. Hence, religion is the nexus of all culture and culture is the life of any people. (We often forget that many of the great classical compositions of the 1700s and 1800s were explicitly religious in nature.) As Hegel himself wrote, “The German nations, under the influence of Christianity, were the first to attain the consciousness that man, as man, is free: that it is the freedom of Spirit which constitutes its essence. This consciousness arose first in religion, the inmost region of Spirit; but to introduce the principle into the various relations of the actual world involves a more extensive problem than its simple implantation; a problem whose solution and application require a severe and lengthened process of culture.”
Since the dialectic in Hegel is a creative function, and religion serves as a creative function, there is already a cross pollination then that cannot be eradicated unless one loses everything that has come with the unity of consciousness, culture, and religion. The creative function of religion establishes the groundworks of all civil society in Hegel, to which he calls this the Sittlichkeit – or “ethical life.” Ethics, for Hegel, is concerned with life because ethics is about creation and propagation. From Sittlichkeit emerge the family, community, civil society, constitutions, and the State itself. Eliminate religion and you will, in time, lose consciousness, freedom, law, art, poetry, culture, and ethical fortitude because all of these things ultimately spring from religion. Sittlichkeit, in another sense, is the life of attached love. It is a radical appraisal of Goethe’s “Verweile doch du bist so schön.” But rather than stay a while, the beauty of love keeps one attached in the garden of love for eternity.
This is where Hegel’s outlook on religion is often difficult to understand. Hegel believes religion to be the foundation of culture and civilization, the very foundation of civil society and all that civil society embodies. However, this entire process of dialectical progression is still one of sublation. “Secularization” in Hegel, and by secularization we mean the preservation and continuation of religious thoughts, habits, and ideas after the atrophy of faith, is, in a way, the logical continuation of religion in society. Religion becomes fully realized in the world. That is, the success of religion is that it exhausts itself as a practicing force, becoming an interpretative force, and then becoming a cultural force. We begin with religion, but we end with the State. Yet, the State is rooted in the religious foundations of that particular society. People may not be “practicing religion,” but they live, in essence, as religious people as religion has completed its real goal: intellectual actualization of concrete ethical life. (Certain dunces like Sam Harris would be a good example of someone who is ethically religious in the Hegelian disposition even if he is too ignorant to realize it.)
For example, religion gives us the basis of the family structure; therefore, the family structure embodies religious ideals. As the family structure gives way to community, the religious ideals embodied in family structures is inherited into the community. Thus, civil society embodies an inherited religious ideal. And all of this is carried forward into a civil society’s constitution, and eventually into the ideals of the State itself. In Hegel, as most Hegelian scholars note, the State is the consecrated “Temple of Human Freedom.” The State has embodied all aspects of culture into itself, and in doing so invites no further changes – this is what the “end of History” means. It is the end to Progress, but events and time continue after it.
In the midst of this too is the transition from Subjective Spirit to Objective Spirit to Absolute Spirit in History. According to Hegel, religion fundamentally seeks to understand Absolute Spirit and manifest it in life. Thus, for whatever other faults we can throw upon the altar of religion (mostly material faults and disputations), religion was, and is, the interpretative discipline of the Absolute Spirit. While religion did not fully understand the Absolute, in being the first movement to seek an understanding of the Absolute which gets embodied at the beginning of culture and society in the Sittlichkeit, religion is the first of what will be many legs – so to speak – in propelling society toward the Absolute.
Additionally, we must also understand – perhaps paradoxically at first – that Hegel’s entire schema isn’t predicated on the movement toward the Absolute per se (in a Platonic sense) but in the Absolute being made concrete which includes the movement to the Absolute. This is the Objective Spirit (objektiver Geist) – the Absolute Spirit having been consummated in the world.
Here, too, religion is the first major force in society that is aware of this truth of History. In beginning with the attempt to understand the Absolute Idea, religion attempts to then make it concrete – which is to say religion, after a long period of reflection and theological inquiry, attempts to actualize its Absolute Spirit into an Objective Spirit in the world (through practice). The first signs of this are in the objectiveness of family life. And this continues to progress through civil life, then embodiment in law, and eventually the State.
All of this is taken up in its most concrete form in culture. Religion is the embodiment of culture because culture is a creative, life-giving, and constructive endeavor. Culture is the attempt to make concrete the Absolute Idea. Thus, religion is the basis of particularity in Hegel’s philosophy and outlook on History. While all are moved by the universal attempt to make concrete the Absolute, all will have done so in unique and different ways that eventually get embodied in national character and will, which is Hegel’s equivalency of the Herderian volksgeist. Likewise, when a culture, or civilization, loses its religious impulse, it dies. It grows decadent and old, and, with nothing left to live and die for, expires in total exhaustion. There is nothing left to praise, and as such, there is no more struggle to bring the abstract ideal and make it manifest in concrete practices.
For Hegel, there is an unmistakable spiritual reality to the work of Geist in History and a spiritual reality to all that humans engage in and create. Indeed, the very movement of History, the very rise of consciousness and moral community, is the movement from hell to the climb up the mountain to find the White Rose at the end of the work of History. The divinization of man, earth, and culture – the sanctification of the world in love – is very much integral to Hegel’s work and outlook. After all, the movement of History is the realization of Geist.
THE AGE OF ARISTOCRACY AND STRUGGLE FOR FREEDOM
Now we move into the heart of Hegel’s Historicism: the movement from the orient to aristocracy. The movement to aristocratic governance is the next great moment in historical unfolding, but also posed many problems as Hegel makes clear in his commentary over the Greeks and the Romans whom he uses thoroughly in his analysis.
If we recall, the age of oriental despotism was the rule of one – the god-emperor who inherited the now codified tribal community after the actions of the hero to save the tribe and found civilization. As the oriental age unfolded, and society became more complex, the emperor devolved power to associates to help him run the nation. Likewise, people within society began to accrue power and responsibilities in daily life. This shift of needing more people to help with the running of society represented the antithesis to the thesis of singular sovereign rule. The conflict is inaugurated until the synthesis was derived wherein the emperor, or king, or head, retained his place, but power had been devolved to the “aristocratic” class.
The aristocratic class is the landed gentry – those who had accrued fortunes and wealth through various means and had become highly respected members of the community. The aristocratic class also included those associates of the emperor or king who helped him in administering the nation and were rewarded with titles and land for their service. In the aristocratic age these people now take on greater freedom than they had before – thus representing an expansion of freedom from the orient (one) to the age of aristocracy (few, but more than before).
The aristocratic age is characterized by the unstable dialectic of the aristocracy and the plebeian majority edging ever closer to democracy. This is important to know because Hegel does not see democracy as the end of history or that democracy is representative of the “Age of Freedom” where all are free:
The History of the World is the discipline of the uncontrolled natural will, bringing it into obedience to a Universal principle and conferring subjective freedom. The East knew and to the present day knows only that One is Free; the Greek and Roman world, that some are free; the German World knows that All are free. The first political form therefore which we observe in History, is Despotism, the second Democracy and Aristocracy, the third Monarchy.
Oriental Despotism was overcome by the second form of the political: democracy and aristocracy which characterize the aristocratic age, which will, as we shall find out, exhaust itself into monarchy and monarchy will be – for Hegel – the perfected form of civic constitutionalism.
But as the history of the world moved from Oriental Despotism to quasi democratic aristocracy, Hegel informs us why the Greeks and Romans were the ones to achieve this while the rest of the Orient (China, India, and the Middle East remained despotic). The smallness, or limitedness, of the Greek city states, and the original Roman state, gave people a sense of connectedness with their fellow citizens and rulers. Thus, they were committed to its preservation which demanded a strong moral ethos to be inculcated in individuals. At the same time, the Greeks and Romans were the first to truly particularize their religious mythos writ large.
In the second part of this exploration of Hegel’s philosophy of history we commented on the importance of religion to culture and society. It is the Greeks and Romans who were the first bring that abstract universal and manifest it in concrete particularity for themselves and their progeny:
This is the elementary character of the Spirit of the Greeks, implying the origination of their culture from independent individualities; — a condition in which individuals take their own ground, and are not, from the very beginning, patriarchally united by a bond of Nature, but realize a union through some origin of their moral life the Greeks have preserved, with grateful recollection, in a form of recognition which we may call mythological. In their mythology we have a definite record of the introduction of agriculture by Triptolemus, who was instructed by Ceres, and of the institution of marriage, etc. Prometheus, whose origin is referred to the distant Caucasus, is celebrated as having first taught men the production and the use of fire.
Here Hegel highlights how religion is an intellectual enterprise, one of teaching, and in being made manifest in daily life, people expand their intellectual awareness and appreciation of the heroes of old who have given them their present lives and seek to preserve it as they see themselves as part of the continuation of this great story. Culture, in particular, is the embodiment of this creative enterprise and, therefore, culture becomes a major force in the advancement of history and the Absolute being made concrete. Culture is also a driving force of the democratic spirit.
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The transition to quasi democratic-aristocracy is embodied in Greek and Roman culture Hegel reminds us. The great poets capture this in their epics. Though the kings of ancient Greece and their aristocratic aids are those who hold power, they were acting in a democratic ethos insofar that they were dependent on one another and petitioned each other in order to go to war. They needed agreement among themselves before acting. In this manner, though they did not know it, the aristocratic and monarchical states were already showing the democratic spirit in their actions.
The newfound energies of the Greeks and Romans exploded into the realm of culture. Praise and care. The Greek and Roman poets wrote works, produced works of art, and attempted to pass them on to their children, which celebrated the heroic, the democratic spirit, and togetherness (connectedness) or recognition (Anerkennung) of the Greek kings and Roman peoples with one another. Culture was the creative Spirit working in history during this age. Culture was something that bound past with present, and the creative act of culture bound past and present with the future!
Furthermore, the expansion of this civic participation and expansion toward democracy was because of a dialectical opponent. United by a common opponent, the Greeks fostered a cult of patriotism, participation, and democratic ingenuity. Focusing on Homer, Hegel highlights how Troy served as the antithesis to which the Greeks had united and were being transformed and how the dialectic is essential for all progress in history:
But the poet supplied an imperishable portraiture of their youth and of their national spirit, to the imagination of the Greek people; and the picture of this beautiful human heroism hovered as a directing ideal before their whole development and culture. So likewise, in the Middle Ages, we see the whole of Christendom united to attain one object — the conquest of the Holy Sepulchre; but, in spite of all the victories achieved, with just as little permanent result. The Crusades are the Trojan War of newly awakened Christendom, waged against the simple, homogeneous clearness of Mahometanism.
This ultimately produced the “exhilarating sense of personalities,” of individual heroes, and demi-gods for whom the rest of the Greeks should strive to be. The poets captured the essence of Aristotle before Aristotle. Aristotle speaks of the imitation of nature to achieve perfection. Hegel agrees that the natural world, in its goodness, beauty, and perfection, is a better model to imitate write large because all persons can imitate nature whereas not all persons can hope to become the next Achilles or Odysseus or Aeneas. However, in presenting individual heroes for the people to look up to, to emulate, and to imitate, this caused an explosion in the democratic sensibilities of the Greek and Roman people. Many were imitating their heroes of old and advancing society and themselves through this burst of energetic spirit. These heroes were microcosms of the Absolute. To imitate the heroes who were reflective embodiments of the Absolute meant you also reflected the Absolute. (Though Hegel informs us that they did not knowingly reflect the Absolute which was the problem.)
The imitation of the person would, in time, be transformed to the imitation of nature as a greater expansion of the democratic ethos. As Hegel notes, the Greeks mandated that one self-control themselves, become a beautiful and self-disciplined person before attempting to produce the imitation of beauty and the heroic in art form: poetry, marble statues, great buildings, etc. “This is the subjective beginning of Greek Art — in which the human being elaborates his physical being, in free, beautiful movement and agile vigor, to a work of art. The Greeks first trained their own persons to beautiful configurations before they attempted the expression of such in marble and in paintings.” The imitation of nature, as perhaps best seen in Aristotle and then the later Greek stoics, was a step closer to the imitation of the Absolute – the embodying of the Absolute in one’s own life.
Culture itself is the great fuel of history, and culture is representative of where are people are at in their movement through history. In the Oriental Age, all art and culture was dedicated to one (the god-emperor). In the aristocratic age, art has expanded outward to many and is dedicated to multiple people with the inclusion of the Absolute Idea particularized in concrete form: namely beauty. In the Oriental Age it didn’t matter if art was beautiful so long as the communicative message of hero-worship of the one was drawn out then all was fine. However, in the aristocratic age, there is the importance of presenting presentable and beautiful works for others to imitate so they themselves can be made beautiful and disciplined in their own lives because when we’re all doing this we achieve a beautiful and disciplined society writ large. Likewise, the expansion of art beyond the one to the many reflects the quasi democratic spirit of aristocracy.
The result of this transformation in the aristocratic age was a shift in intellectual knowledge. People began to know that men were free. But only some men. The heroes. The kings. The princes. The princesses. The aristocrats. Per Hegel:
The consciousness of Freedom first arose among the Greeks, and therefore they were free; but they, and the Romans likewise, knew only that some are free — not man as such. Even Plato and Aristotle did not know this. The Greeks, therefore, had slaves; and their whole life and the maintenance of their splendid liberty, was implicated with the institution of slavery: a fact moreover, which made that liberty on the one hand only an accidental, transient and limited growth; on the other hand, constituted it a rigorous thraldom of our common nature — of the Human.
But this is not to condemn the Greeks and Romans, as Hegel does not do. He simply highlights how their energies helped expand the consciousness of freedom from the one to some, a great leap of advancement considering how the Orient remained despotic while Greece and Rome advanced closer to constitutional liberty and the freedom of all. This was a necessary step and advancement, in other words. We should not condemn the Greeks and Romans but praise them. Extract from them the good and beautiful and import them into our time and society to make our society even more self-realized and beautiful.
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The reason why Hegel unites democracy with the aristocratic age is because the end of Greek aristocracy was really the rise of democracy. Likewise, the rise of the Roman Empire which brought about the end of the Roman Republic was because of democracy and atomization. For Hegel, the collapse of the Roman Republic was its property-owning atomism in combination of increased primitive mass democracy on the part of the urban plebeians who soaked up the attentions of the Roman political order – the two combining to eliminate the collective and communitarian nature upon which the Roman Republic was originally founded on. This was inevitable, for Hegel, in the dialectic between aristocratic land owners (becoming self-absorbed) and the wants of the masses becoming greater and greater as they clamored for more political recognition (becoming increasingly militant as a result). The Roman political order, shepherded by the landowning class, abandoned their responsibilities as they became increasingly atomized and self-absorbed. The masses, in contrast, were equally self-centered in their wants, but united together and put pressure on the Roman system which became paralyzed to meet the demands of the masses and safeguard the property of the aristocrats. The freedom of the aristocrats was under threat by the push for greater freedom (in the sense of autonomy) by the masses.
Following the works of Plato, Aristotle, and Cicero, Hegel came to realize that democracy – as simple rule of the majority – exhausted itself in resentment and tyranny. The end of constitutional government in Greece and Rome was not the tyranny that overthrew the democracies, it was the democracies themselves which burdened and collapsed the constitutional orders (which, admittedly, did primarily serve the interest of the aristocrats) which, when the people wanted a return to order, gave themselves over to the tyrants. The realization of freedom that became evident in Greece and Rome met the dialectical antithesis through the masses but this was a messy and bloody affair. Overwhelmed, the entire system collapsed. The pendulum swung too far in one direction when the Greeks and Romans were not ready for it. They were not ready for absolute freedom because the Greeks and Romans did not yet truly understand freedom in its most concrete form.
This is why the aristocratic age had its form of governance as both aristocratic and democratic. It fostered civic participation among the many (democracy) while only maintaining freedom for the few (aristocracy). As the energies of this democratic outburst moved beyond art and culture, and as various other changes in life were resulting, the masses – having been inculcated with a spirit of participation – sought to make manifest the freedom of their idols whom they imitated but the result was the struggle between the aristocrats and their backers who jealously guarded their freedom against the plebeian masses who sought the freedom of the aristocrats not knowing how to achieve it or protect it if they ever attained it. The result of this dialectic struggle was a pendulum swing into chaos where old heroes had to arise again (like the heroes of old) and reset the system. The end of this dialectic was the birth of empire. The Greek empires and the Roman Empire.
The aristocratic age may have ended in fire, civil war, and the re-imposition of single rule, but its spirit endured. The spirit of cultural actualization, civic participation (patriotism), and increased responsibilities for self-cultivation (on my own accord) is what the aristocratic age embodied and bequeathed to posterity. These ideals which failed to be actualized in the aristocratic age would eventually be the project of the age of freedom – or more appropriately for Hegel, the age of civic constitutionalism.
Moreover, the importance of art and culture to Hegel’s philosophy should be becoming more evident. The cultural works of the Greeks and Romans: religion, poetry, art, philosophy, etc., was instrumental in actualizing consciousness. Such enterprises helped give sustenance and understanding to the absolute ideas which were attempted to be made manifest through religious stories and practices, the construction of the epics, dramas, and sculptures both small and large, and the rise of philosophy attempting to understand the phenomenon before them and render the chaotic action of individuals and society intelligible.
Nevertheless, the aristocratic age was brought to end by its own democratic energies when it was not ready for “democracy.” The dialectic between the aristocrats and the plebeians resulted in losses for both, which is to say all except for those who strode across the Tiber and invaded Athens and Corinth and consummated empire to bring order back to chaos, thus stunting the energies and the world spirit. Thus, the Greco-Roman would have to wait for Christianity before its own desires could be realized, “It was less the miracles of the Apostles that gave to Christianity its outward extension and inward strength, than the substance, the truth of the doctrine itself.” The truth of Christianity, that all persons are images of God (imago Dei) possessing intrinsic rationality to know the truth, that liberty is self-control and fulfillment of desires through unity of reason and desire to achieve the consummation of the absolute in concrete life, and that all of this is only possible within the bounds of transcendent law (hence the importance of political constitutionalism as the secular embodiment of transcendent law) is what would rekindle the world spirit and bring about the final consummation of concrete reality and civic participation and fulfillment in the world.
According to Hegel, the reason why the Greek and Roman experiment with freedom failed is because they had not known, as demonstrated by Hegel’s quote concerning even Plato and Aristotle, that all men were free. For all men were created by God and made in God’s image. Thus, the spirit of freedom and the energies of culture which all strove for the Absolute Idea were to wait until Christianity emerged to bring about their full realization through Christian doctrine (and not so much Christian practices). For it is the doctrines of Christianity that understood freedom in its concrete form, thus giving to the Greeks and Romans what was needed to complete the synthesis.
The reason for this is because in Christianity, God (the Absolute) became man (the god-man Christ) so that man could, in turn, self-actualize in union with God, and become god (a free and moral agent). This follows standard traditional Christian doctrine, as perhaps best summed up by St. Athanasius, “God became man so that man might become God.” That is, union with God makes man fully self-aware of who he is and what is nature is, and therefore, what his freedom is. The Absolute is made concrete in the incarnate image.
However, the second age – of aristocracy – is characterized by the explosion of creative activity in arts and culture. This Hegel concentrated on. Through the rise of the creative arts there is, within the aristocratic age, a quasi-expansion of democracy as a result. The Absolute is attempted to be concretized through culture, rather than the human person, but the spirit of freedom moves the masses into a dialectical confrontation with those who are free and consider only themselves free (the aristocrats). Because there was no understanding that all are, in their essence, free, the dialectic fails as the pendulum of democracy swings too far and the result is tyranny to restore order. The final age, which is more aptly to be described as the age of constitutional love, is what will arise when this dialectic of aristocracy vs. democracy (the masses) plays itself out again.
THE AGE OF FREEDOM AND MORAL LOVE
The Aristocratic Age, that age of great movement, creativity, and the arts, and the dialectic between the aristocrats and plebeians, failed because there was no notion that all men were equal. Now we move into the Age of Freedom (and moral love) in the wake of the failure of the Aristocratic Age to produce freedom. This final cornerstone to the advancement of the age of freedom needed the insights of the Christian religion before it could be consummated. Furthermore, the failure of the Aristocratic Age was because of the self-centered atomism of the patrician landowner and the resentful politics of the Plebeian. Now, however, with the advent of Christianity’s declaration that all men were equal, the march to freedom from the Aristocratic Age to the Age of Liberty and moral love could begin, where moral love – the great import from Christianity into the consciousness of humans – allows for freedom to emerge in society writ large based on moral love of one another instead of the domination of others into submission.
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Hegel’s “Age of Freedom” is generally referred to as the “Constitutional Age” (but we shall see that it is far more than just that). It is the achievement of a peoples to produce an enduring Constitution that not only enshrines the principles of liberty and equality under the law, it is also the consummation of a peoples history and culture—for history and culture are the ingredients that produce constitutions: A peoples law, institutions, and legal traditions and outlooks. For Hegel freedom is not possible without Law; freedom without law leads to nothing but conflict. This is why absolute freedom is the end result of a long dialectic of unfolding conflict between those who have freedom (the Oriental Emperor, to his advisors, to the land owning patricians and poets, and finally to the multitude of the masses—all are subject to the Law and not above the Law).
The importance of Christianity to Hegel’s unfolding historicism was that “The German nations, under the influence of Christianity, were the first to attain the consciousness that man, as man, is free: that it is the freedom of Spirit which constitutes its essence. This consciousness arose first in religion, the inmost region of Spirit.” For Hegel it was the egalitarian spiritual (innermost) aspect of man within Christian anthropology that ensured the movement to the understanding of a free and equal society. It is not that Hegel thought that the advent of Christianity in Late Antiquity produced a free and equal society. In fact, Hegel’s Germanic-Protestant exceptionalism is also on full display in his statement about Christianity and Germany. It is the Protestant understanding of man within the Christian tradition, which laid its seed most prominently in Germany, that was the first to attain that consciousness of freedom.
All dialectical movement is slow unfolding conflict that produces a new result which raises consciousness and self-understanding. In the early centuries of Christianity, it had to contend with the mystery religions of the east and the pagan religions of the West. In this contest Christianity offers development of higher consciousness and subjectivity in offering a relational aspect within religion rather than the subjected fatalism or esotericism of pagan religions. The fatalism of the various Greco-Roman cults consigns man as the puppet of the gods. The esotericism of the mystery salvific religions (like the Cult of Mithras) ensures inequality between men where only the knowledgeable few are free and the rest of mankind languishes in ruination and ignorance. Christianity, being a religion of the heart and mind, subjectivity and objectivity, is the total religion that transforms man’s consciousness and brings the subjective and objective together—the transcendent made concrete. And this is a very long process.
This long movement leads us to modernity. “We have now arrived at the third period of the German World, and thus enter upon the period of Spirit conscious that it is free, inasmuch as it wills the True, the Eternal — that which is in and for itself Universal,” as Hegel writes. The importance of the Reformation, the union of Lutheran subjectivity with Germanic federalism, was that:
Truth with Lutherans is not a finished and completed thing; the subject himself must be imbued with Truth, surrendering his particular being in exchange for the substantial Truth, and making that Truth his own. Thus subjective Spirit gains emancipation in the Truth, abnegates its particularity and comes to itself in realizing the truth of its being. Thus Christian Freedom is actualized.
The importance of something being unfinished is key to Hegel’s historicism. If freedom had been completed and Truth complete in the dogmas of the Roman Church, then the Reformation would had never happened. Corruption, as Hegel writes, is one thing. But the Reformation was more than about church corruption—it was the catalyst for a further development of Christian truth wherein the subjectivity of interpretation and movement offered in Lutheranism offered further development to the truth being actualized in the world. Christianity had the seed of freedom and equality within it; it just took a long time for it to finally sprout and become actualized in the world. Had it done so earlier we would have had the end of History with the Christianization of the Roman Empire. Per Hegel, “This is the essence of the Reformation: Man is in his very nature destined to be free.” In this sense, for Hegel, Roman Catholicism served as the necessary antithesis to the original thesis of the spirit of Christianity which was realized in the thesis of the Reformation. Many Protestants who may not share Hegel’s otherwise heterodox theology (which borders on pantheistic monism with a Christian cover) nevertheless share, unknowingly, his quintessentially Reformation outlook which influenced the next hundred years of Protestant self-understanding especially in the age of biblical criticism and textual studies that emanated from Germany and spread to the United Kingdom and United States and other Anglosphone Protestant outposts.
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The spirit of Reformation Christianity is what leads to the formation of the Christian constitution of freedom and equality that was enshrined in the Germanic constitutions and political bodies. It is in the body politic, the legal constitution, and the political state that the temporalization—the concretization—of Christian principles becomes actualized. The child of Christianity, for Hegel, is “secularization”—that is, the temporalization and humanization of Christian ideas and principles without ecclesiastical order and institutionalism. This is the real achievement of the Protestant Reformation.
Hegel’s thesis on secularization is already well known and well-document to those in sociology, political philosophy, and philosophy, so I’m not going to go over it here. Many people today who have a familiarity with this scholarship will openly note how the ideas of the dignity of man, human rights, freedom and equality, are uniquely found in the Christian, or post-Christian West. How people who are otherwise “irreligious” nevertheless by Christian metaphysical and ethical standards and not as the pagans of the old West did or as the Oriental civilizations live with their rigid caste systems (such as in India and China), or with the still divinized Oriental Emperor (like Japan).
Because religion is the first cornerstone of culture, and culture is the outward expression of a peoples creativity and culture informs a constitution, it is that spirit of Christianity that becomes incarnate in Constitutions and, therefore, in constitutional states according to Hegel. The movement of World History is the establishment of the State that best embodies the reality of freedom and equality through its Laws, which also means through its culture, arts, and literature. This is the creation of the “rational constitution” that marks the final unfolding of the Spirit for Hegel.
Hegel’s historicism is the unfolding dialectic to achieve the harmonious constitution with its people; all strata of society, the secular state and the dogmatic and sacred religion of a people, brought together not in a subjected composite of hierarchal power and inegalitarianism, but the harmonious democratic service of all branches of a nation. In a free constitutional nation the leaders of the nation serve the people whom are their equals. In a free constitutional nation all men are ability to pursue their interests in harmony with the rest of society—no other person, guild, or corporate organization will obliterate its competitive other into oblivion.
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The end of History, in Hegel, is not a utopian kingdom of earth as it is in Marx or in progressive liberalism. In Hegel’s outlook, events and even conflict between states still occur. The end of History is the end of the movement of the universal to become particularized. So Hegel’s historical development is not the establishment of a Universal State but the establishment of particular states with their particular concretizations of the universal.
Hegel, here, highlights several different examples. There are the English with the English constitution and its parliamentarism rooted in the Magna Carta and Common Law traditions unique to the English people. Then there are the French, who are superior to the English insofar that the French constitution and Revolution—unlike the English way—asserted that all men should be free and equal and took it upon themselves to make that a reality. The difference between the English and French was that the English did not believe all men should be free: Only the English should be free. The French believed that all men irrespective of their ethnicity or religion should be free. However, the danger of the French position is that it is too universalistic.
For Hegel, the ideal intermediary between the two is Germany. German retains its roots (like England) while embracing the universal truth (like France and unlike England). Speaking of this dynamic, “The English nation may be said to have approved of the emancipation of France; but it was proudly reliant on its own constitution and freedom, and instead of imitating the example of the foreigner, it displayed its ancient hostility to its rival, and was soon involved in a popular war with France.” The English celebrated France’s movement to freedom and equality but still felt themselves and their constitution superior, meaning their freedom and equality was superior than that of the French. And the English would never follow the foreigner’s conception against their own due to English exceptionalism. The French forgot their roots and therefore the roots of the other nations they eventually traversed over. Germany, on the other hand, is the perfect combination of both.
The end of History, then, is not universal for all peoples and nations. Some nations reach their “end of history” before others. What the end of History means in the universal and abstract sense is that human consciousness over freedom and equality will no longer progress further. People know what the meaning of life and political life in general, entails and means. People will know embark on their own journeys to manifest this universal truth in particular terms. There will be no forced impositions from foreigners (as the French upon the Germans during the Napoleonic Era), or no exception to the rule (as the English believing only themselves to be free and equal in comparison to others). Hegel’s German “Exceptionalism” is only because, in his mind, Germany was the first to truly realize the spirit of freedom in its own land and not seek to impose it on others or believing themselves to be the only people who would achieve this freedom. “[T]he Idea of Freedom, whose reality is the consciousness of Freedom and nothing short of it.” The Age of Freedom could not become real without first coming to realize that all men are free and equal creatures under the Law and in the shared human condition.
There is no freedom without constitutions. There is no realization of freedom without constitutional states. The end of History, for Hegel, is the world of constitutional pluralism of states with each state (nation) embodying its uniqueness and particularity but having also realized the universal truth of the Absolute Spirit that moves men and history. Man is not born free, as Rousseau said. Man becomes free through heightened consciousness. In other words, man realizes his freedom. Hegel’s “Age of Freedom” is better understood as the Age of Constitutional Liberty in union with the Christian theology of moral love in community. Or, more properly, Hegel’s paradise is constitutional liberty and moral community bound together through the love of agape.
Here we see the movement of History from Oriental Despotism (only one is free) to all being free. And with all free all are equal in their freedom. Equality does not mean material equality in Hegel’s outlook. Equality means that all men have equal freedom: equal freedom under law and love (recognition of personhood subjectivity and embodied affectivity). There is not the Oriental Emperor above the masses; the aristocratic landowning minority over the majority plebeians; but all are free and therefore equal with each other. The movement of History, the very Spirit of the love of God, was directing mankind to this realization in a free and moral community. In this free and moral community the responsibility to love, to feast, and to laugh is left in our hands.
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Paul Krause is the editor-in-chief of VoegelinView. He is writer, classicist, and historian. He has written on the arts, culture, classics, literature, philosophy, religion, and history for numerous journals, magazines, and newspapers. He is the author of Muses of a Fire, Finding Arcadia, The Odyssey of Love and the Politics of Plato, and a contributor to the College Lecture Today and Making Sense of Diseases and Disasters. He holds master’s degrees in philosophy and religious studies (biblical studies & theology) from the University of Buckingham and Yale, and a bachelor’s degree in economics, history, and philosophy from Baldwin Wallace University.
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